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that unit is a solid machine, as far as a flash unit i had one go out on me and used a heat gun but hated every minute of it, you can find some on ebay for around 2 bills, 110 mesh should be a good catch all since your just starting, if you get this let my know im about to toss out a bunch of screens like 100 of them(getting deployed) and you can have some if you just pay the shipping im in 78418 for an exposure unit you can use a hologen lamp if you get in to this i can sent ouy some pics of my light table/exposure unit
Wade,It looks like a solid machine, but IMO it's on the pricey side. Have you considered Silkscreening Supply?http://www.silkscreeningsupplies.com/product/lg4x1 ... and they are in your area.I agree with dkherr, at a minimum you need a flash cure but if you are going to do production work you will need a conveyor dryer. You can build a washout booth and exposure unit if you are mechanically inclined. Exposure units using florescent or quartz lights are ok for simple artwork, but I would recommend something better down the road if you want to do fine lines or halftones.At a minimum you will need, a press, flash cure, exposure unit, screens, squeegees, inks, reclaiming chemicals, a washout booth, and a printer. I would get a pressure washer for reclaiming. Without it you will get emulsion buildup on your screens eventually making them useless.110 is a good general starting screen mesh count. I prefer 160 for general use and 230 & 305 for photographic type images.
Is there any preferences of using a wood vs metal frame on a screen? I would assume it is only for warping purposes or keeping a tight mesh.